Ottenario
Dodecasyllable
The octonary form that tradition has received as “normal” has a main accent in the 3rd position. Two other secondary accents may be on the 1st and 5th syllables, giving the verse a clearly trochaic cadence.
Having fallen into disgrace with Dante’s banning of parisyllables, the octonary regained some light in the fifteenth century, brought to the fore by Lorenzo the Magnificent and used by Poliziano in numerous ballroom songs.
In some verses accents also appear in even-numbered seats (for example in verses 47 – “oggi siam, giovani e vecchi” – and 49 – “ogni tristo pensier caschi”), which in Menichetti’s opinion creates a surprise effect that contrasts the rhythmic inertia (5).
Endecasillabo
Abstract:Teresa Bandettini (1876-1837), spesso conosciuta con il suo nome arcadico, Amarilli Etrusca, fu ballerina e compositrice di versi. Il Codice 1445, consiste in 96 fascicoli scritti all’inizio del XIX secolo e compilati da un testimone sconosciuto delle produzioni di Teresa Bandettini.
Teresa Bandettini, spesso conosciuta con il suo nome arcadico, Amarilli Etrusca, nacque a Lucca nel 1763. I suoi genitori, Benedetto Bandettini e Maria Alba Micheli, morirono quando lei aveva sette anni. La Bandettini raggiunse rapidamente la fama come ballerina nel mondo teatrale, ma avrebbe ottenuto una fama più duratura come compositrice di versi estemporanei. A Imola nel 1789 conobbe il lucchese Pietro Landucci, che sposerà. Dopo il suo matrimonio, abbandonò la carriera di ballerina per quella di improvvisatrice, e tenne delle “Accademie d’improvvisazione” in cui membri paganti del pubblico proponevano temi che lei poi elaborava estemporaneamente in versi. La Bandettini raggiunse la fama in tutta Italia e fu così stimata da ricevere parole di elogio da Parini, Monti, Mascheroni e Alfieri. Bandettini ebbe quattro figli, tre femmine che morirono giovani e un figlio, Francesco. Morì a Lucca nel 1837.
Italian metrics
It is true that you have never seen a Lauda Grand Prix, but you have “heard” him race every time your father told you about him at Imola, Monza, and all the times he had cheered against or for him.
The film puts two opposite and complementary characters in front of each other, a bit like putting bread in front of Nutella. James Hunt, played by Thor Chris Hemsworth, impulsive driver, charming, cocky but this time without the hammer, and Niki Lauda, played by Daniel Bruhl, cold, determined, shy and made up for the occasion with the teeth of a mouse.
Almost pornographic, however, the use of the soundtrack aided by the sound effects of the roar of the engines. There are scenes in which, with the camera on the edge of the track, it almost seems that the cars pass you four millimeters from the ear. Almost as if you lean out of the chair and send the neighbor to hell by making an elegant gesture of the umbrella.
Rating (five cups of gold maximum): five cups of gold, as the seconds that each of you must take to leave the house and go running to see this movie at the cinema if he has not yet done.
Hendecasyllable
Archetype derives from ancient greek (Arché = origin, principle/ Typos = model, exemplar) and designates an original model from which are derived all subsequent models related to it. In the esoteric field, archetypes are the original fundamental vibrations with which God created/emanated the Universe.
Investigating the nature of archetypes (with inner reflection, meditation, contemplation) means investigating the nature of the building blocks of the universe and of the human being; making one’s own the “logic/non-logic” of symbols allows to extract the course of existence from the deceptive horizontal dimension and lead it back to the vertical Path of Return to Essence.
History of religions, mythology, anthropology, psychology offer the different interpretative keys of symbols, emblems, allegories, archetypes of every country and every age, through 1600 entries written by an international group of researchers of high scientific level, in a work that has no precedents.